Exactly one month from today, on Aug. 13, my book’s manuscript is due to the editor.
This is NOT an editor hired by a publishing house; we didn’t get a book deal for Kiss and Tell. It’s an editor Dr. Whelihan and I hired privately, although she also works for all the big New York publishing houses. I mentioned her in an earlier blog, and was impressed with the sample edit she did on the intro to my chapter on the 80s Ladies. (Plus I met her in Austin when I was in Texas for two weeks enjoying an annual girls’ weekend and celebrating my mom’s 84th birthday. Her name is Tiffany Yates Martin; she’s 6 feet tall, gorgeous and extraordinarily charismatic. Yes, you’re detecting a bit of a girl crush.)
Kiss and Tell‘s book proposal has now been officially turned down by seven publishers. It’s a little bit discouraging, sure. But the reason they are saying no to the book still strikes Dr. Mo and I as just being off. They seem to think readers will only care about the sexuality of women their own age; that our focus is too broad and no one’s interested in the passion of women in other age groups.
I realize everyone is super savvy up there in New York, of course, but I think the suits in the city maybe don’t know as much as they think they do about women’s sexuality. I mean, did they completely miss the uproar over Fifty Shades of Grey? Why don’t they see that women—of ALL ages—who read about desire in the form of fiction will also read about it in non-fiction form?
And believe me, the book is going to be erotic.
I know this because our agent told me after reading the sample chapters that I needed to mention the material’s steaminess in the proposal. “You’re missing the turn-on factor,” she said. I hadn’t really planned that effect, but I was quick to follow through on her suggestion.
And it makes sense that when women talk about what stimulates their desire, and those scenarios are faithfully transferred to words—reading them might indeed stimulate desire.
I digress!
The breaking news to share here is that I have committed to finishing the book’s first draft in one month. I was terrified into paralysis at first. I spent two days assuring myself this was impossible. For so long I’ve been saying, “I’m writing a book.” I still can’t quite grasp what it will mean to say, “I’ve written a book,” since the process itself has defined me for so long.
But then the soldier mentality took over, and I just started marching. I’m digging in every day; I figure it’s a six-day-a-week proposition from now till the deadline. I have to read every single word I’ve written so far and try to drag them all under the umbrella of one voice. As the project unfolded, the narrative shifted, and now it’s time to solidify the chapters under a unifying voice.
I’m also having to finish up certain chapters, which I left undone purposely, waiting for closure on other decades in order to come back and wrap up earlier chapters with more expertise and authority. The overview chapter, which explains what trends we found and sets the stage for the whole book, is proving to be a gigantic time suck. I’m wrestling with whether or not to break it into several chapters, because some of the (juicy) stories that accompany the overarching trends are lengthy.
But big picture problems like that aren’t enough. I’m also doing meticulous copy editing as I go, since there’s no point in ignoring it as I do a final read. Tiffany was kind enough to provide me with some style tips, which is a good thing since it turns out that journalism’s AP style isn’t at all what book editors are looking for. Oh joy. Live and learn.
This final push toward the deadline is a microcosm of what the entire book process has been. If I look up and survey the landscape of what still has to be completed, I become overwhelmed and frightened. If I keep my head down, and put one foot in front of the other, one paragraph after another, I can hold on to the hope of finishing.
Here goes!